NOVA Prize

FSP Anthology 47 launch and order form

Judges and editors
Left to right: David Cookson (editor), Max Merckenschlager (judge), Veronica Cookson (editor), Jacqui Merckenschlager (judge), Sue O’Brien (Convenor)
Winners
Left to right: Stef Rozitis, Elaine Barker, Louise Nicholas, Charlie Madden, Helen Hutton,  Meryl McDougall, Rob Ferris, Maria Vouis, Sue O’Brien

FSP is excited to announce that Anthology 47 was officially launched by in-coming Convenor, Sue O’Brien, at the monthly meeting on 1 May 2023.

Edited by Veronica and David Cookson, the anthology’s title, beyond the bend … , takes its name from a line in Torbay by contributing poet, Sharon Foulkes. The collection of over 100 poems thrilled the judges, Jacqui and Max Merckenschlager, who were at the launch to meet the winning and commended poets. … Click for more

FSP May City Meeting – Anthology 47 Launch & Open Mic

Monday, 1st May, 2023
from 6:00pm

The Box Factory
59 Regent St, Adelaide, SA 5000

The meeting will start with the launch of the FSP Annual Anthology 47, edited by Veronica and David Cookson. As part of the launch, the winners of the Satura Prize for the poem judged the best in the Anthology, and Nova Prize for the best poem in the Anthology written by a first-time published poet will be announced. The title of the Anthology, its cover and the judge for the prizes all will be revealed on the night!

Copies of FSP Anthology 47 will be available for sale on the night for $20.… Click for more

2022 Satura and Nova Prizes

Editors Louise Nicholas and Judy Dally launched FSP Anthology 46 at the August 2022 City meeting at the Box Factory. Over the past year, they worked tirelessly together to select each Poem of the Month and a collection of poems chosen from the monthly readings. The resultant anthology is a beautiful collection, titled Something to Say … taken from a poem by the same name by Avalanche.

Award-winning poet, Jude Aquilina judged the Satura Prize (best poem in the anthology) and Nova Prize (best poem by a poet published for the first time in an anthology) and selected Highly Commended awards for each category.… Click for more

Friendly Street Anthology 45 Prizes

Two poems from each volume of the Friendly Street Poets annual anthology are selected for special commendation. The following notes from the judge for Anthology 45, Thom Sullivan, explain, and the poems themselves are featured for your reading pleasure. 

From THE REPORT OF THE JUDGE – Thom Sullivan

As to the Satura Prize, awarded to the author of the best poem in each Friendly Street anthology, the poems that gave me most pause for thought were Maria Vouis’ Woman is the Cow of the World, Belinda Broughton’s Changing Colours, and Phil Saunders’ Burnt. But the poem that was the standout for me, and the winner of the Prize, was Maria Vouis’ Sepia apama: a poem full of colour and chaos, music and metaphor, glorifying the cuttlefish.… Click for more

FSP Anthology #41 Launch

FSP Anthology 41: Worlds in Words, edited by Edie Eicas and David Harris, was launched by Mike Ladd at the Box Factory on 12th June to much acclaim.

The Satura Prize for best poem in the Anthology was awarded to Cary Hamlyn for Ultrasound in B-flat.

The Nova Prize for best poem in the Anthology by a previously unpublished poet was awarded to Inez Marrasso for No Boundaries.

Congratulations to the prize winners and everyone who has been published in the Anthology!

 

Nova Prize 2016: “in the wake of e e cummings” by bruce greenhalgh

The Nova Prize is awarded by the Anthology editors to the best poem by a poet who has not been previously published in an FSP anthology. This year’s winner is in the wake of e e cummings by bruce greenhalgh.

in the wake of e e cummings by bruce greenhalgh

what no punctuation he cried
without an exclamation mark
without quotation marks
hovering over his words

but words remain
and fall like rain
from grey verbose clouds
onto grey receptive roads
at first the worddrops make
distinct marks
then patterns
then spreading like gossip
they join together
and whole discussions tumble along gutters

and dive noisily
into the mouths of drains

while i’m…
i’m feeling lower case
splashing iambic feet through prolix puddles

as conversation forms on cooling windows
i peer into a distance obscured
by the mists of cliché
and feeling a non sequitur coming on
i take a line break
to consider the meteorology of enjambment
the syntax of clouds
full stop